Samyang 50mm F1.4 AS UMC Full-Frame Lens (2015)

59% Neofiliac52% External
Keywords: a-mountdslre-mountef-mountf-mountfull-framek-mountlensmanual-focusmirrorlessprime-lenssamyang

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Photo 0of Samyang 50mm F1.4 AS UMC Full-Frame Lens (2015)Photo 1of Samyang 50mm F1.4 AS UMC Full-Frame Lens (2015)Photo 2of Samyang 50mm F1.4 AS UMC Full-Frame Lens (2015)

Product Overview

Samyang 50mm F1.4 AS UMC is a large-aperture manual-focus normal prime lens for Canon EF-mount, Nikon F-mount, Pentax K-mount, Sony A-mount, and Sony E-mount. It covers the full-frame image circle. Introduced by Samyang in 2015, it has 9 elements in 6 groups.
Manual focus may be limiting to some, but purists will find it much more engaging. There are also fewer things to go wrong on the long run. Unfortunately, Samyang has opted to omit weather sealing for this lens, so owners should pay extra attention when shooting in incremental weathers.
A normal prime lens, the Samyang 50mm F1.4 AS UMC has the potential to be one of the most used and ultimately versatile option in a photographer's bag. Usually the easiest to design and to QC, it is a great option for landscape and street photography. Its bright maximum aperture also helps night and portrait works. Those who like sunstars (sun bursts) will be pleased by the lens' even-numbered aperture count, though conversely those who find sunstars distracting may have the opposite feeling.

Ratings

What we found**

Neofiliac score 59% (not directly comparable across industries)
Pros
  • Bright maximum aperture
  • Beautiful rendering
Cons
  • Lacks weather sealing
  • Not Samyang's highest grade of build

What external reviewers found***

External score 52% (not directly comparable across industries)
Pros
  • Good optical performances, sharpness is very good if you close down a little bit, the background blur is quite pleasing
  • Fully manual and very bulky as initially designed for DSLR
Cons
  • Bulky and heavy
  • Cameras are a little muted
  • Bokeh is OK but the bokeh balls have some disturbing halos
Read More

Price Comparison

Specifications

Construction

Aperture Blades
8 blades
Form Factor
Normal Prime Lens
Image Size
Full-Frame
Lens Barrel
Physical aperture ring, Distance scale, DoF scale
Lens Mount
Canon EF-mount, Nikon F-mount, Pentax K-mount, Sony A-mount, Sony E-mount
Optical Formula | Elements
9 elements
Optical Formula | Groups
6 groups
Optical Formula | Special Glass
1 hybrid + 1 aspherical element, Ultra Multi Coating groups

Dimensions

Filter Diameter
77 mm / 3.03 in
Size | Diameter
82 mm / 3.23 in
Size | Length
75 mm / 2.95 in
Weight
535 g / 18.90 oz

Function

Angle Of View
46.8° Diagonal | 39.6° Horizontal | 27.0° Vertical
Aperture
f/1.4 ~ f/22
Autofocus
No
Focal Length
50 mm
Focus Type
Internal
Image Stabilization
No
Weather Resistance
No

Performance

Min Focus Distance
450 mm / 17.72 in

Production

Accessory
Lens hood included
Debut
2015-09-21

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External Reviews

sonyalpha[1]

Reviewer score 52%
Reviewers from sonyalpha have found the following***:
The Samyang 50mm F1.4 AS UMC has good optical performances. Sharpness is very good if you close down a little bit, the background blur is quite pleasing. The lens is fully manual and very bulky as initially designed for DSLR. The build construction is good, made of high quality plastic. Nice rendering in video with smooth background blur but colors are a bit faded.
Find the original article here.
Pros
  • Good optical performances, sharpness is very good if you close down a little bit, the background blur is quite pleasing
  • Fully manual and very bulky as initially designed for DSLR
Cons
  • Bulky and heavy
  • Cameras are a little muted
  • Bokeh is OK but the bokeh balls have some disturbing halos

User Reviews

Comments

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References

  1. ^ Samyang 50mm F1.4 AS UMC. [sonyalpha]. https://sonyalpha.blog/2017/11/26/samyang-50mm-f1-4-as-umc/. 2017-11-26. Retrieved 2022-01-29.

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Scores are not directly comparable across industries.

These key takeaways ("pros" and "cons") and summaries are identified from third-party reviews. They may differ from the original texts.

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